In terms of cast, it has to be said that Gary Oldman looks nothing like Herman Mankiewicz. The olde visuals seem to be the main reason to watch this film, and its this smokey, shadowy, cigarette-burnt, ’40s aesthetic that’s the film’s only positive. The fact that a film about a writer (which intermittently includes script elements) isn’t particularly well written is ironic to say the least. This is basically another love letter to Hollywood’s “great” past like Quentin Tarantino‘s similarly critically overrated shite-fest OUATIH. It's a black and white ode to a period of time that only a select few give a toss about; it’s made for film students, cinephiles, and pompous critics.

虽然并不难看，不过不如再看一遍疯狂动物城

本来以为这么多年了对这类片应该不会有感觉了吧，没想到打动人心的不只是配乐。

有趣又真实最后两集居然不敢看了

心疼朱亚文 王彦霖 这节目干脆叫 奔跑吧杨颖 算了